Counting the Homeless in Australia - 530 Words

Australian Bureau of Statistics 2006, Australian census analytic program: Counting the homeless, ABS, Canberra. This report analysis the number of homelessness by classify in four categories, such as marginally housed, tertiary homelessness, secondary homelessness and primary homelessness (Australian Bureau of Statistics 2006, p. vii). Homelessness can be defined as members of community that are living unconventional accommodation, and facing the accommodation situation is below the minimum community standard (Australian Bureau of Statistics 2006, p. vii). In recent years, the number of persons in different categories of the homeless population was increased. For example, from 2001 to 2006, the number of people sleepers out was increased from 14158 to 16375. This report states homelessness population in several ways. According to age breakdown, in 1960s, the population of homelessness was made up of middle-aged. However, age breakdown significantly, younger group occupied 58% of the homeless population. There is a slightly change of the rates of homelessness in different state and territory between 2001 and 2006. NT were facing a serious situation, there were 248 homeless people per 10000 in 2006. The lowest rate of homelessness is in ACT, only 40 homeless people per 10000 in 2006. NSW was the highest number of homelessness which was 27374 follow by Qld was 26782. The average rate of homelessness in Australia was 53 per 10000 of the population. According to the report,Show MoreRelatedHomelessness Postmodernist and Feminist Perspective2985 Words   |  12 PagesKaren Anderson Social analysis – Homelessness Feminist and postmodernist perspectives ACAP Being Homeless in Australia, what does that actually mean? The statistics show that homelessness in Australia is a growing and a concerning problem involving people from all walks of life and in all parts of Australia. 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Generalized Anxiety Disorder Is A Mental Disorder That

Generalized anxiety disorder is a mental disorder that affects approximately four to five percent of the general population. This disorder can be illustrated by excessive anxiety and worry that lasts a minimum of six months and deals with various events or activities. People who struggle with this disorder have difficulties controlling their worry; this worry can permeate into every action or thought which leads to increased anxiety. Moreover, people with generalized anxiety disorder exhibit at least three of six major symptoms including restlessness, fatigue, difficulty concentrating or blank mind, irritability, muscle tension, and sleep disturbance. The DSM-V describes this disorder as â€Å"an anxiety, worry, or physical symptoms that cause†¦show more content†¦Brad’s family struggled to obtain common and necessary provisions including proper clothing, transportation, and nutritional and substantial food due to his father’s low income and eventual unemploym ent. Moreover, the chaos and disorder in the household of six young boys contributed to a challenging living environment for an orderly and clean young fourteen-year-old boy. Even though his living situations were not ideal, Brad states that his family was faithful; they attended mass every Sunday and prayed the Rosary daily. Spirituality was Brad’s first form of â€Å"treatment† during the beginning phases of his anxiety. Brad’s anxiety has progressively been getting worse since his youth; the biggest attribute to his anxiety throughout his life, thus far, includes taking difficult classes and exams during medical school, paying off more than $100,000 in student loans, financially providing for his family, increasing pressures at work, and other various stressful situations that occur in everyday life. However, before 2011, Brad had not been medically diagnosed and, therefore, was not taking medications or attending therapy to ease his anxiety disorder. 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Color Symbolism In The Great Gatsby Essay Example For Students

Color Symbolism In The Great Gatsby Essay Cary L. Pannell Eng. 206 Mrs. Sanders 20 May 1997 Symbolism in The Great Gatsby The Great Gatsby, by F. Scott Fitzgerald, is a novel about one mans disenchantment with the American dream. In the story we get aglimpse into the life of Jay Gatsby, a man who aspired to achieve a position among the American rich to win theheart of his true love, Daisy Fay. Gatsbys downfall was in the fact that he was unable to determine thatconcealed boundary between reality and illusion in his life. The Great Gatsby is a tightly structured, symbolicallycompressed novel whose predominant images and symbols reinforce the idea that Gatsbys dream exists onborrowed time. Fitzgerald perfectly understood the inadequacy of Gatsbys romantic view of wealth. At a youngage he met and fell in love with Ginevra King, a Chicago girl who enjoyed the wealth and social position to whichFitzgerald was always drawn. After being rejected by Ginevra because of his lower social standing, Fitzgeraldcame away with a sense of social inadequacy, a deep hurt, and a longing for the girl beyond attainment. Thisdisappointment grew into distrust and envy of the American rich and their lifestyle. These personal feelings areexpressed in Gatsby. The rich symbolize the failure of a civilization and the way of life and this flaw becomesapparent in the characters of Tom and Daisy Buchanan. Nick Carraway, the narrator of the story, quicklybecame disillusioned with the upper social class after having dinner at their home on the fashionable East EggIsland. Nick is forced unwillingly to observe the violent contrast between their opportunities- what is implied bythe gracious surface of their existence- and the seamy underside which is its reality (Way 93). In the Buchanans,and in Nicks reaction to them, Fitzgerald shows us how completely the American upper class has failed tobecome an aristocracy. The Buchanans represent cowardice, corruption, and the demise of Gatsbys dreamGatsby, unlike Fitzgerald himself, never discovers how he has been betrayed by the class he has idealized for solong. For Gatsby, the failure of the rich has disastrous consequences. Gatsbys desire to achieve his dream leadshim to West Egg Island. He purchased a mansion across the bay from Daisys home. There is a green light at theend of Daisys dock that is visible at night from the windows and lawn of Gatsbys house. This green light is oneof the central symbols of the novel. In chapter one, Nick observes Gatsby in the dark as he looks longinglyacross the bay with arms stretched outward toward the green light. It becomes apparent, as the story progressesthat the whole being of Gatsby exists only in relation to what the green light symbolizes This first sight, that wehave of Gatsby, is a ritualistic tableau that literally contains the meaning of the completed book (Bewley 41). Abroader definition of the green lights significance is revealed in Chapter 5, as Gatsby and Daisy stand at one ofthe windows in his mansion. If it wasnt for the mist we could see your home across the bay, said Gatsby. Youalways have a green light that burns al l night at the end of your dock. Daisy put her arm through his abruptly, buthe seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of thatlight had vanished forever. Compared to the great distance that had separated him from Daisy it has seemed verynear to her, almost touching her. It had seemed so close as a star to the moon. Now it was again a green light ona dock. His count of enchanted objects has diminished by one (Fitzgerald 94). Gatsby had believed in the greenlight, it made his dream seem attainable. Upon meeting Daisy again, after a five-year separation, Gatsby discoversthat sometimes attaining a desired object can bring a sense of loss rather than fulfillment. It is when Gatsby makesthis discovery that the green light is no longer the central image of a great dream, but only a green light at the endof a dock. The most obvious symbol in The Great Gatsby is a waste land called the Valley of Ashes, a dumpingground that lies between East and West Egg and New York City. Symbolically the green breast of the newworld (Fitzgerald 182) becomes this Valley of Ashes. As the illusions of youth give way to the disillusionment ofthe thirties, so green hopes give way to the dust of disappointment. Certainly Gatsbys dreams turn to ashes; andit is dramatically appropriate that the custodian of the Valley of Ashes, George Wilson, should be Gatsbysmurderer. That Wilson is the demise of Gatsbys dream- and that the dream gives way to ashes- is made clearthrough descriptive detail. Over the desolate area, known as the Valley of Ashes, brood the eyes of Dr. T. J. Facing Death Essay Nick saw that Gatsby may of thrown his money away just to impress someone but he also had to work hard to earn that money, it has not just been handed to him at birth. When Gatsby tells Nick Youve got to get somebody for me old sport. Nick does his best to. The friends he contacted either wanted something they left at Gatsbys house, or were not interested in coming. He tried to be there for Gatsby, unfortunately, only Gatsbys father, Henry, Nick, and the reverend attended the funeral. . . . Only one man who gives his name to this book was exempt from my reaction . . . Gatsby who represented everything for which I have an unaffected scorn. Regardless of this scorn, Nick does not hold his past against him. Or at least, of what people assume his past consists. Once Nick fights through the rumors and sees the truth he realizes that Gatsby is not all that different from himself. In conclusion, Nick Carraway presents the facts and looks at all his options before deciding. Nick changed very much over the course of the novel. At first he looked at one viewpoint but towards the end he realizes its more beneficial to look at all sides. We could learn a lot from this man. Word Count: 348

Makioka Sisters Essays - The Makioka Sisters, Taeko,

Makioka Sisters With life comes death, with destruction comes rebirth, and with fear often comes understanding and growth. Constant change within our environment surrounds and invades our existence--which too is ever changing, growing, digressing and evolving. Often a sad tone resounds within this acceptance of uncontrolled fluctuation. It is the sad or destructive experiences that one wishes could be controlled; and often those become more apparent then the joy and happiness that accompanies change. Throughout Tanizaki's The Makioka Sisters the essence of the novel is captured using subtlety to describe the timeless cyclical changes in nature, thus revealing and enhancing the acceptance of the unavoidable impermanence that is woven into the sister's lives and experiences. Transformations within their natural world saturate and undeniably affect the lives of the characters in this novel. Throughout the novel the sisters are constantly exposed to the beauties and destruction that the cycles of nature produce, changing and affecting their lives for brief and lengthy durations. Change in nature perpetually occurs and learning to adapt to its inconsistency is often demanded of the sisters. Tanizaki poetically uses the fluctuation of nature to delicately suggest fluctuation or transformations that occur within the characters. For example, as massive flooding consumes the Kobe-Osaka district with destruction, the Makioka's lives are consumed with upheaval; and yet, this inevitable chaos encourages realizations for Sachiko and transformations within Taeko. The most disastrous flood in the district's history, its transforming effects on the river are vividly described as, "less a river than a black, boiling sea, with the mid-summer surf at its most violent" (Tanizaki 176). Its burdens afflict the land, and all of its inhabitants, from scuttling crabs and dogs to the Makiokas, Stoltzes, and countless other families. Physically destroying homes, railroads and schools, the flood claims lives amidst clouds of dust, mud, and sand. The rain viciously reveals its overpowering capabilities. As Sachiko searches for occupying distraction from the worry that she endures concerning Taeko's safe return, she is drawn to the pictures of Taeko's performance of "Snow" from the previous month. The effects of the flood and its devastating possibilities encourage Sachiko to view both these pictures, and Taeko in a revised light. Sachiko admits her luring interest to a photographic pose of Taeko which reveals a "certain delicate winsomeness and grace[in Taeko.] ...one could see from this photograph that there was in her too something of the old Japanese maiden, something quietly engaging" (189). In the midst of chaotic torment Sachiko is able to appreciate the many aspects of who Koi-san is rather than concentrate on her sister's demise. And not without sadness, she questions whether it was only by chance that Koi-san had been captured in this light or rather that it had been an unhappy omen for the disaster that now lay lurking. For Taeko, the floods transform her spirit as fear and lack of enthusiasm take root in her heart. Her environment has instilled a previously unfelt sense of fear and respect for its reigning force. Shaken, and perhaps disenchanted with the changes around her and within her, Taeko avoids work and activity for an entire month after the torrential storm. "Taeko, usually the most active of the three, had evidently not recovered from the shock of the flood. This summer she showed little of her usual energy" (204). As the natural destruction drains her energy it also transforms her interests in Kei-boy, killing the last of her love for him. Within both of the sisters, the inevitable changes that the floods bring, seeps deeper than the surface damage; bidding and encouraging new growth and challenge within the characters hearts and minds. Yet another encounter with a severe storm, this time a Tokyo Typhoon, reveals the destruction and terror that nature can display, disrupting lives, and harshly revealing the change in direction that the Makioka's prestigious lives have taken. The worst typhoon in over ten years, winds literally shaking the house, dirt and sand forcefully flying through vacant cracks, and walls billowing seemingly ready to burst; the family must remain calm although terror chills their bones. They eventually find safety and solace next door in a sturdier home than their own. The storm not only reinforces the necessity to accept and deal with the atrocities that nature randomly brings, it also reveals the depths to which the Makioka's have fallen with their move to Tokyo. "To lose the Osaka house was to lose their very roots" (99). Change in prestige and economics has obviously affected the conditions of the home that they are now reduced to invest in. Dramatic